I just finished watching the popular Disney movie, “Frozen”, for the second time. The hype surrounding the movie was obnoxious and everyone was saying that, “‘Frozen’ is one of the best movies of all time.” Watching it my first time around, it wasn’t great; the bar was set pretty high and my expectations didn’t meet up to the reality of the movie. But after my second time watching it, it has solidified in my brain that this movie is one of the worst Disney has ever produced.
There’s actually a funny history surrounding this movie. Walt Disney wanted to make this movie all the way back in 1943. “Frozen” was supposed to be Disney’s adaptation of the popular fairy tale, “The Snow Queen”, written by Hans Christian Anderson (Get it? Hans, Kristoff, Anna, Sven. Good job, Disney). “The Snow Queen” actually has, what would be Elsa, as the villain. They 123 movie decided they couldn’t create the movie in the 40s because they couldn’t find a way to adapt it to a modern audience. They tried again in the late 1990s, but the project was scrapped when one of the head animators on the project, Glen Keane, quit. In 2010, they scrapped it again because they still couldn’t find a way to make the story work. Then, in 2011, they finally decided on making Anna the younger sister of the Snow Queen, which was enough for them to create “Frozen”.
“Frozen” was directed by Chris Buck (known for “Tarzan”) and Jennifer Lee (known for “Wreck-it-Ralph”). The bar was set pretty high for me seeing as both those movies were well above the standards of a “kid’s movie”. The story was going to be just like the fairy tale, but then, Christophe Beck composed the hit song, “Let it Go”. The production team went crazy; instead of trying to fit the song into the movie, they rewrote the entire plot and Elsa’s entire character to fit the song. I have never heard of an entire movie being changed to fit one song. Because of this, it’s blatantly obvious that no one could decide on anything in this movie. Since Elsa isn’t the antagonist, there really was no real evil force. The Duke of Weaselton is brought up to be the villain in the beginning when he states, “Open those gates so I may unlock your secrets and exploit your riches. Did I say that out loud?” Why do you want to unlock the secrets and exploit their riches?
The Duke has absolutely no development to the point where he doesn’t even have a name. He barely even gets screen time. So if he isn’t the villain, who is? Well, in the last 15 minutes of the movie, Anna’s fiance, Prince Hans, is brought up to be the villain, stating he wants to rule a kingdom and he can’t because of his 12 other brothers. This comes out of absolutely nowhere. There were no hints, no evil glances, no sidebars or monologues, nothing. He even gives out blankets and hot soup to every person in the kingdom of Airendale. Prince Hans even says, he will protect Airendale because Anna left him in charge and “will not hesitate to protect Airendale from treason” when the Duke states he wants to take over. I can’t stand it when they get so lazy as to just throw in a villain at the last few minutes because they couldn’t actually bring up a real villain. Prince Hans states that he wanted to take over and he was going to kill Elsa and all this other crap, but Elsa was just about to be killed and he saved her life. Why would he save her life if he wanted her dead? None of it made sense and it irked me the entire movie.
Frozen recycles animation and character models from their previous hit, “Tangled”. The main characters, Elsa and Anna, use the same exact model as Rapunzel from “Tangled”. This controversy has been huge around the internet, calling Disney “lazy” and the such. Personally, I was okay with this. Disney is known for recycling animations (which can be seen here). Even though it was really strange that Elsa and Anna had the same exact face and body structure and the only difference between them were the freckles and their hair, it didn’t bother me too much. But, during the coronation scene, Elsa says to Anna, “You look beautiful.” Pretty ironic if you ask me.
The movie starts off with Elsa and Anna playing together with Elsa’s ice magic. It’s cute at first, but then Elsa strikes Anna in her head and they have to “thaw out the ice” or something along those lines. So they ask the trolls to heal her and they wipe Anna’s memories of Elsa having magic. Then, they lock the castle doors so no one can ever see Elsa and lock Elsa away in her room to never speak to her sister again. This is where it all starts to go downhill. None of it made sense. Why would you wipe Anna’s memories of Elsa having magic? If it was easily fixed, why not just explain to her that they can’t play with Elsa’s magic anymore because it’s out of hand? She would’ve known the consequences afterwards. It’s like if you touch a hot stove; you’re curious, you touch it, you burn yourself, you never touch it again. The fear solidifies subconsciously. Even if you could explain why she needed her memories erased, why was Anna locked inside the castle doors too? Anna had no recollection of the events, even at the end of the movie, so why was Anna being punished for something Elsa did? They could have easily allowed her to talk to the townsfolk and have a good time outside the castle while Elsa was locked away.
There’s this motif throughout the movie about locked doors; they lock the castle doors, Anna knocks on Elsa’s door and she never answers, Anna and Prince Hans sing the song, “Love is an Open Door”, Anna says to Elsa, “All you know is how to shut people out.” I found the motif pretty clever until they forced it down my throat. When Anna reaches the ice castle, she knocks on the door. When the door opens, she says, “Well that’s a first.” It’s a giant punch in the chest when you think you’ve analyzed a motif and you can go on and on about how amazing the directors were for putting it in there, but then the directors hold your hand and forcefully say, “Hey! This a motif! You should totally love us for this!” I would’ve been okay with it too if they just didn’t put that one line in the movie. When you read a book and you analyze it, the author is trying to let you come to the conclusion yourself and let you discuss it. It’s the same with movies. There was no need to forcefully tell us that this was a motif. Doing so was actually counterproductive. It popped my bubble.